| |
The
Grand Canal |
| Illustrating
the uniqueness of Venice, this great 'road of water' is the most
beautiful street in Venice. One can glide along the Grand Canal
and be surrounded by the most opulent architecture. The atmosphere
is absolutely unforgettable, as the splendour of the Grand Canal
is unparalleled. To meander along the canal by gondola is literally
to take a journey through Venetian history.
Unlike most Main Streets, Canal Grande does not go in a straight
line; rather, it flows as though it were a woman's body, in curves.
Perhaps that is why it is always referred to as female. No matter
how negative a person is about Venice, he/she cannot help but gasp
on first seeing this magnificent body of water. |
| Rialto
Bridge |
The
Rialto Bridge's 24-foot arch was designed to allow passage of galleys,
and the massive structure was built on some 12,000 wooden pilings
that still support the bridge more than 400 years later. The architect,
Antonio da Ponte, competed against such eminent designers as Michelangelo
and Palladio for the contract.
The bridge has three walkways: two along the outer balustrades,
and a wider central walkway leading between two rows of small shops
that sell jewelry, linens, Murano glass, and other items for the
tourist trade. |
| Accademia
Bridge |
| The
Ponte dell’Accademia was built in 1854, during the Austrian
occupation. One of the three bridges spanning the Canal Grande. The
Austrians envisioned a wide bridge, enabling troops to move more quickly
over the broad canal. Engineer Miozzi (who worked a lot in Venice
during the first part of twentieth century) , realized a structure
that first was maded with wood and later was reinforced with steel
loosing its main peculiarity |
| Scalzi
Bridge |
| Old
Austrian bridge, on this part of Gran Canal, represented an age
that was finishing. In this period of deep transformation, project
by engineer Eugenio Miozzi was chosen to subsitute the rectilinear
iron bridge (all the iron bridges in Venice had been built by Austrians). |
| Ca'd'Oro |
| This
beautiful Gothic palace along the Grand Canal of Venice was originally
covered in gold leafs, vermilion and ultramarine decorations. The
palace reveals Moorish influence in its roof and sinuous pointed
arches.
The only problem with the use of this building as an art museum
is that the Ca' d'Oro is so opulent that its architecture and decor
compete with the works. It was built in the early 1400s, and its
name translates as "House of Gold," although the gilding
that once covered its facade eroded away long ago, leaving softly
textured pink and white stone carved into lacy Gothic patterns.
Historians compare its majesty to that of the Ducal Palace. The
building was meticulously restored in the early 20th century by
philanthropist Baron Franchetti, who attached it to a smaller nearby
palazzo (Ca' Duodo), today part of the Ca' d'Oro complex. The interconnected
buildings contain the baron's valuable private collection of paintings,
sculpture, and furniture, all donated to the Italian government
during World War I. |
| The
Bridge of Sighs |
| The
Bridge of Sighs received its name in the 17th century, because the
prisoners who passed through it on their way to the prison cells
on the other side would most likely see the beautiful sight of the
lagoon and the island of S.Giorgio and freedom for the last time.
However, it was only in the 19th century that it came to be called
the 'Bridge of Sighs' after Lord Byron's famous reference in his
poem Childe Harold's Pilgrimage "I stood in Venice on the Bridge
of Sighs, a palace and prison on each hand".
In reality, the days of inquisitions and torture were over by the
time the bridge was built and only small time crooks were kept in
the prison cells.
The prison building is older than the Doge's palace and was at one
time used during the inquisition by the Church during the Middle
Ages (when people were suspected of being witches or non believers
and tortured).
|
| |
|
| |
|
|
|